Monday, April 09, 2007

sudden blog overload. i know. can't help it. i have the time and i've got the urge. no one obliged you to read through each crappy entry anyway.

so i'm leaving again this week. fantastic, fantastic. to the city i've heard of too frequently from others. about time i join the ranks of those who rave nonstop about the place... dumaguete! and, and to the land of mystics and philippine voodoo, siquijor! okay, so i don't believe in the local folklore. can't afford to challenge that now though. i'd rather the freak show remain at arm's length... i take that back; i'd rather they stay MILES AWAY from me.

manila fame 2007

it's manila fame time!!!

occurring only twice every year, the manila fame is a showcase of the finest, most creative and highly produced designs and ideas (by filipinos) rendered into actual products, functional or otherwise! though mostly contemporary in design, the products, nevertheless, still carry local aesthetics.

i'm all giddy and excited to have my brains blown away. innovative and out-of-this-world concepts would be ideal!

sadly, the event also results in the piracy of some of our most unique creations. mass-produced (commoditized--fists raised!!! --see two entries down) in some northern country where quality is even the least of their priority.

the trade fair doesn't exactly allow direct selling of products, so if you do decide to go it should merely be an excursion to appreciate rather than to shop. think of it as taking a walk in a museum that magically appears biannually.

patience

never has patience been so effectively portrayed than by this poster by frederic terral.


love it!

commodity music

i found myself (unexpectedly) immersed with old world ballads and lazy sunset serenades at the mall today. and no, i wasn't at starbucks. three out of the five apparel shops i visited were spinning the vinyl to french and portuguese tunes of acid jazz and bossa nova. (the other two stores weren't playing any music at all.) is it because it's summer hence the urge to play chill out music? or has manila finally come to embrace the sublime lyricism and rhythms of foreign artists?

there was a time whenever i told people that the kind of music i listened to included old bossa classics, jazz and european pop, they'd raise their eyebrows at me with a barely surreptitious look that was supposed to make me squirm for having such odd taste.

i simply avoid fads. and it gets to me when i find my interests suddenly falling within the sphere of manila's insatiable need to saturate itself with the day's trend.

sitti--god bless her for trying--has somehow 'commoditized' bossa nova with her window-shattering, testicle-rattling versions of gilberto, mendez, and who else. starbucks has likewise contributed, if not initiated, to the dilution of what was once a niche market for the records industry.

it actually remains pleasant to browse around with these tunes resonating in the background. it's just a shame that so many things these days are fast becoming commodities.

...leaving me in search of new, less popular favorites.

Saturday, April 07, 2007

how do you spell that again?

i remember getting a classmate into trouble back in sixth grade.

it was reading class, and the teacher was compiling a list of uncommon words on the blackboard. our class of forty had been divided into tens; four teams to fiercely compete for a hollow victory of providing the most number. dictionaries and thesauruses were not to be drawn out. we shouted out (turn by turn) the most inimitable and unrecognizable words we could pull for a sixth grader's vocabulary, then spelled them out impeccably like spelling bee champions. segregate from team one. bovine from team two. a staggering hypochondriac from team three. martinet from our very own. each team applauded smugly after displaying such unexpected sophistication for untidy boys with unshaven lips. of course, at that time, we weren't expected to know their definitions.

when a teammate's word list ran dry, the group conferred and passed on to him the syllables that were intermediate to our survival. word after word, we outperformed the others. (a team was eliminated once an inexistent word was given.) until finally there were only two teams left: team three and ours.

the speed of which the words accumulated would have put the US and the USSR's nuclear arms race to shame. we mentally scanned comic books, short stories and the rare novels we had read, squeezing out the words that would have us overtake the patotot untouched and victorious. we were putting syllables together then got quick consensus on the validity of our frankensteinish words. those we were confident with, we recited out. until finally, our minds began to buckle. one after another. and less of the team had anything more to contribute.

the obligation to represent the group relayed around as many times as an adolescent would involuntarily squeak in a conversation. and the baton was about to arrive at my seatmate's lap on the next turn. his name was ryan.

ryan was a known jester and troublemaker in class. he was chubby and pale. and he amusingly glared upwards every time he argued with anyone as if his opponent was always seven-feet tall.

ryan was becoming desperate. he searched us for answers. but everyone's eyes were cast down as if we expected new words to magically appear on our worn out, dusty, black greying leather shoes instead. he tugged on my oversized polo and hissed on my ear, asking for the least word we could fabricate that would sound ostensibly intelligent. still wanting us to win the competition, i gave him the first valid word that crossed my mind. when his turn was finally up, the teacher requested him for our entry. without much of a second thought, he confidently said, "Miss! PUKE. P-U-K-E. PUKE."

he was asked to stand at the corner of the room, while our team got eliminated.

(the two definitions of puke: english filipino)